I recently watched a demo of Still life painting at
Whidbey Island Fine Art Studio. The demo was by Jeff Legg and I decided on the spot if there was room in the class for me, I was in! Fortunately, there was and I spent the rest of the week learning more about the art of painting and setting up Still life.
This first painting was composed during the class; the setup was in a three-sided box with controlled lighting.
The next two are the same painting; the first version is after receiving a critique from Jeff to enhance the darks and shadows. The version below is the original painting using a tensor lamp and ambient light
More: As a former watercolor painter, I had to get it into my head that it was okay to use black. No, not
just black, that deadens the color; Black with Alizarin, or black with yellow; black and raw umber make a beautiful background, add white and yellow ochre and you have a lighter more neutral foreground. Whew! Once I got my head around this, I was off and running.
More to come....
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Quince (done in a controlled setting) |
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After (darker) |
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Two pears and a bowl, before a bit of color change
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